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It is the Temple of Art, the place of spirit and creativity where the "Florentine and Universal Genius" shows its highest
David-The Accademia Gallery
The Gallery shows the famous David by Michelangelo, symbol of freedom and independence
The big florentine royal palace where history, art and nature intersect
It is a splendid stone castle, that preseves the most important scuptures of the Reinassance
Medici Chapels Museum
Here you will find the magnificent works of Michelangelo carved for the mausoleum
Pitti Palace-Palatina Gallery & Royal Apart.
Collection of precious Italian and foreign works from XV to XVIII century Raffaello , Tiziano , Rubens
San Marco Museum
Anciet monastery of 13th century.Museum of Beato Angelico and library of manuscripts
This is the wonderful park Universal fantastic that opens the season of the famous Italian garden
Pitti Palace-Costume Gallery
Fashion becomes art through this collection of costumes running from 18th century to contemporary times
Exhibition in the Uffizi Gallery extended to January 2015
The Pure, Simple and Natural
The exhibition "Pure Simple and Natural", organized at the Uffizi Gallery, has been extended to 01/06/2015.
Exhibition at the Galleria dell'Accademia
The Arnina of Lorenzo Bartolini
Themarble statue ofthe nymphArnina
Expo 2015, Franceschini: Botticelli's Venus will remain in the Uffizi
Botticelli's Venus,housed atthe Uffizi Gallery
Exhibition at Palazzo Pitti
Portraits of countries, seas and cities
Thirty-twoworks areon displayin the ...
Exhibition in the Academy Gallery
The Luck of the Primitives
The exhibition, organizedbythe Accademia Gallery,...
The birth of the Uffizi under Cosimo de 'Medici and Giorgio Vasari
The Uffizi Gallery is housed in one of the most interesting and stunning architectural masterpieces in Florence. The building consists of two primary wings in a horseshoe shape connected by a southern corridor parallel to the river Arno. The large central courtyard opens onto the historical Piazza Signoria and Palazzo Vecchio, which together form one of the the most renowned and beautiful examples of Italian civic architecture of the Renaissance period.
The building was commissioned by Grand Duke Cosimo I de 'Medici and designed by architect Giorgio Vasari of Arezzo, who left Rome for Florence in 1554 to complete the work. In the years to follow, Vasari became one of the greatest chroniclers of art, architecture and major artistic events of Florence during that period, as well as a respected historian with his superb treaty "LIVES". His work remains a respected source of art history to this day.
In 1560 the construction of the Uffizi began, it was to become the future offices of the thirteen most important Florentine magistrates, previously located in various places throughout the city. With the new offices, the magistrates would be under the direct supervision of the Grand Duke, reinforcing Florence's increased role as the political and military power of central Italy after the conquest of Siena (1555) and the subsequent nomination of Cosimo I as Grand Duke of Tuscany (1569). The complex was designed to spacially combine the Piazza della Signoria (the traditional seat of the government) with the river by an open path.
The building rises from the courtyard, set apart by a short staircase. This dominant position is further enhanced by a porch of Tuscan Doric columns, which runs the length of the building and thereby expands the spatiality of the courtyard itself. This porch was very stylistically innovative for its time, as it introduced columns connected by straight lintels rather than the arches more traditionally used such as in the Ospedale degli Innocenti by Filippo Brunelleschi or the Hospital of Santa Maria Nuova by Bernardo Buontalenti. Every third column was replaced by a solid pilaster designed with a niche to house statues. Above the columned arcade, the building's facade is divided into three parts which highlight the characteristics of axial symmetry and geometry, each defined by the alternation of gray pietra serena stone and white plaster. The typical Florentine roofline, with its pronounced overhang, enhances the architectural perspective of the building's scale when seen from below.
The building now houses the Uffizi Gallery, one of the most important museums in the world, renowned for the sheer size of its collection of Italian pre-Renaissance art. Every year it is visited by 1,800,000 people.
The Grand Duke also wanted to build a secret passage that connected the Palazzo Vecchio (the government headquarters) to the Pitti Palace, which became the official residence of the Medici dynasty after Cosimo's wife, Eleonora of Toledo, daughter of the viceroy of Naples, bought the majestic palace. To accomplish this complicated task, Vasari designed and built, in less than a year, an elevated passageway which ran from Palazzo Vecchio, through the entire length of the top floor of the Uffizi, and then turned to follow the banks of the Arno before climbing a long stairway and crossing above the Ponte Vecchio, then finally turning sharply and passing through various neighborhoods of the Oltrarno before finally arriving at the Boboli Gardens. This passage became known as the Vasari Corridor and it was the only path that connected the two banks of the Arno after the bridges of the city had been mined during World War II.
Construction Under Francis I and Bernardo Buontalenti
After the death of Vasari, in 1574, Bernardo Buontalenti took over the construction of the Uffizi. He shared this role with Alfonso Paris the Old. In 1580 the Uffizi was completed. Once complete, Buontalenti began to shape the artistic direction of the building, covering the loggia on the top floor of the Uffizi and converting it to the personal gallery of Francis 1 (son of Grand Duke Cosimo I). This gallery housed works of art of all kinds, such as semi-precious stones, medals, ancient and modern statues, gold, bronze, armor, miniatures, scientific instruments, as well as portraits of family and illustrious men, but mainly the exceptional collection of paintings from the 1400s, this personal gallery then opened what was to become the oldest museum in modern europe. Buontalenti also oversaw the final completion of the Vasari Corridor which joined the Palazzo Vecchio to Palazzo Pitti. During the same period between 1584-87, Buontalenti created laTribuna Octagonale inside the Uffizi, designed to accommodate the most important works of the Medici collection.
In 1583 Francis I commissioned Buontalenti to transform the rooftop terrace of the Loggia of Orcagna, later called dei Lanzi for the stay of the German Landsknecht soldiers in 1527 during their passage to Rome, into a roof garden used for musical concerts and other events. Unfortunately this garden terrace no longer exists.
Inside the Uffizi, Buontaleni also created the Medici Theatre (1583 - 1586) in the first and second floors of the east wing, for which he designed the costumes and the sets for the various performances that became famous throughout Europe and constituted a decisive step towards Italian baroque theater. Today only the entrance hall for the theater remains, the rest was dismantled in the late nineteenth century, and has been divided into two floors with the construction of new exhibition halls by Michelucci-Scarpa-Gardella in 1956.
From Ferdinand I to the End of the Medici Dynasty
Although the Uffizi was completed at the end of the 16th century, work on the building continued with a series of improvements to beautify the interior. At the same time the Medici were expanding their vast collection of works of art and the influx of new artistic activities helped determine a place dedicated to the preservation and exposure of these works.
Ferdinando I de 'Medici (1587), son of Cosimo I, who took over the helm of the Grand Duchy of Tuscany with his brother Francesco I, after living in Rome for 38 years as a cardinal, where among other things, he founded the Villa Medici. He purchased many artworks including so-called "Giovio Series," a collection of portraits of famous men painted by Cristofano dell'Altissimo. Ferdinando I moved this collection from the Palazzo Vecchio to the Uffizi; where you can see them today between the beams of the statue gallery. He also commissioned the Hall of Maps, where maps representing the old territory of Florence, the new territories of Florence after the conquest of Siena and the Island of Elba were displayed. Lastly he transfered his precious stone collection to the West Wing and setup workshops for the manufacture and preservation of porcelain, jewelry and miniatures. A new seven room gallery featuring arms and armor was set up next to the workshop.
At the end of the 16th century many famous artists were commissioned to fresccoe the ceilings, halls and corridors of the Uffizi including Federico Tempesta and Alessandro Allori who designed the "grotesque" figures.
In 1591 the Grand Duke Ferdinando I de 'Medici ordered to open the gallery to visitors, but only on request. After his death in 1609, the gallery did not acquire any other collections until Vittoria della Rovere, the last descendant of the Dukes of Urbino, and wife of Ferdinando II de 'Medici, Grand Duke of Tuscany, brought a large dowry of works of art including paintings by Piero della Francesca, Raphael, Titian, Federico Barocci.
L'ultima dei Medici e il “Patto di Famiglia”
La Galleria degli Uffizi sotto il Granducato dei Lorena